Poéticas Feministas: Capturing the Essence of Ana Victoria Jiménez and Alicia D'Amico

Poéticas Feministas: Capturing the Essence of Ana Victoria Jiménez and Alicia D'Amico
Entrance of Museo de Arte Moderno

Mexico City Exhibitions: A Visual Journey Through 20th-Century Feminism at the Heart of Mexican Art and Activism

The Ministry of Culture of the Mexican government and the National Institute of Fine Arts and Literature (INBAL) present the exhibition through the Museum of Modern Art (MAM), which brings together the documentary and artistic work of these two significant photographers. They played a crucial role in the feminist movement from 1970 to 1990.

Argentinian photographer Alicia D’Amico rose to prominence in the field of documentary photography and became known for her strong contribution to feminist movements. Born in Buenos Aires in 1933, she graduated from the Prilidiano Pueyrredón National School of Fine Arts. Despite her young age, she showed an interest in societal and political issues, motivating her to join the feminist movement.

In 1957, D’Amico dedicated herself entirely to photography. She received training from her father, photographer Luis D’Amico, and began working in his studios in Buenos Aires. In 1960, she established her own studio and formed a long-term partnership with photographer Sara Facio.

D’Amico was an active part of the Argentine feminist movement, especially from 1970 to 1976. She participated in advocating feminist issues and women’s rights through photography. In the 1980s, D’Amico began exploring the role of photography in the female image. She focused on how photography could construct stereotypes of women, aiming to create images that highlighted women’s self-awareness.

D’Amico’s photographs are part of a collection of over a hundred works that have been exhibited in several countries. Her work has been a crucial part of the history of the women’s movement in Mexico from the 1960s to the 1990s. Although Alicia D’Amico passed away in 2001 in Buenos Aires, her legacy continues to thrive through powerful photographs and feminist activism.

Ana Victoria Jiménez Álvarez, born on August 31, 1941, is a Mexican photographer known for her significant contributions to photography and feminist activism. Her lifelong work spans decades and has had a broad impact on the Mexican feminist movement.

In her youth, Jiménez developed a strong social and political consciousness, leading to her involvement in the activities of the Mexican Communist Party. She also played a role in founding the National Women’s Association of Mexico and actively participated in feminist organizations.

Jiménez began her career as a photographer in 1971, documenting feminist protests in Mexican cities. She joined the collective Cine Mujer, which combined photography and feminist activism, and was also involved in the feminist art collective Tlacuilas y Retrateras.

Jiménez’s photographs capture crucial moments in the Mexican feminist movement, particularly from the 1970s onwards. Her work has been a significant part of photography addressing women’s rights, social justice, and gender equality.

Her extensive archive, comprising over 100 pieces, is a crucial resource for researching the history of the Mexican feminist movement. Jiménez’s photographs have been showcased in numerous exhibitions in Mexico and internationally. She remains an influential figure in Mexican art and feminist circles.

Event Details:

  • Duration: Open now until Apr 07, 2024
  • Venue: Museo de Arte Moderno

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